古玩精品推荐

　　亲爱的各位藏友，今天为您隆重推荐两件值得广大收藏爱好者收藏的藏品。

　　第一件

　　《张松茂作品——三顾茅庐孔明出山》

　　《孔明出山图》粉彩瓷板画赏析

　　“南阳卧龙有大志，腹内雄兵分正奇。”由中国工艺美术大师、景德镇陶瓷美术家张松茂先生创作并绘制的《孔明出山图》粉彩瓷板画，以其“酣笔写先贤，重彩彰名臣”的个性风格及艺术魅力，震惊瓷坛画苑，震撼商界藏家，引起极大的社会反响。

　　《孔明出山图》瓷板长112厘米，宽39厘米，全图以粉彩工笔状描的笔触，写刘、关、张“三顾茅庐”后，孔明感其“情笃实，意真挚，德感人，志弥坚”而欣然出山，此后为刘备策定三分天下，安邦定国展示其雄才大略的情景。此图四骑缓步离陇，孔明的清须飘酒，刘备的黄袍赤氅，关羽的美髯当胸，张飞的侧目脾睨，众多人物的形态装束，尽在张先生娴熟的游丝描的勾勒描绘下，显得清雅古逸，流畅信放，劲健传神，为主题人物“头戴纶巾，身披鹤氅”的个性特征及形象塑造倍增丰采。

　　作品在着意刻画主题人物的同时，对时空景象的描绘也很精微周到。

　　张先生亦擅山水，曾“南窥匡庐，泛舟赤壁；转溯井冈，东入峨眉，折北经泰山，吊古齐鲁之墟，极抵帝里，过洛水而归。”此图虽以历史遗事入画。以传奇人物为经，却笔势延宕，写山水景境为纬。前景虬松仿若“松老龙，雷雨生黑枝；如何着鳞甲，归向故园飞。”以松喻先贤，寓指卧龙际起之意。远处则是“桃花踏碎春风里，竹径横曳引入家。”这些时空渲染不仅创造出了典型环境，也深化了孔明出山的主题，整个环境、情节的选撷简练概括，景色布局也疏密得当，浑然是“整肃中寓其高古，工致间蕴其澹雅”，成为张先生经典画作之一。

　　据中国美术家协会副主席、中国美术学院院长肖峰先生回忆，“1988年至2004年期间，张松茂先生曾四次创作《三顾茅庐》瓷画，其中有瓶尊，也有瓷板，每次都力求出新，显示其非凡的造型功力。”1993年其中一幅《三顾茅庐》瓷板画被日本汉学家藤山植一郎先生收藏。其后在横滨，他荣幸地邂逅了来日本参加“景德镇巨匠三人展”的张松茂先生，遂请张先生为其所约，续画“孔明出山图”，希望以图说的形式，诠释中国古典名著《三国演义》的精华。于是，就有了此幅写于“乙亥年（即一九九五年）秋”的《孔明出山图》。即满足了日本朋友“以史入画”的夙愿，又彰显了一代瓷画大家深邃的文化底蕴和艺术修养。

　　Appreciation of the Famille Rose Porcelain Plate Painting "Kongming Emerging from the Mountains"

　　"The southern sleeper holds great ambitions, with a belly full of soldiers, dividing the orthodox and the unique." Created and painted by Zhang Songmao, a master of Chinese arts and crafts and a Jingdezhen ceramic artist, the Famille Rose porcelain plate painting "Kongming Emerging from the Mountains" has shocked the porcelain and painting circles with its unique style and artistic charm of "writing sages with a full brush and highlighting famous ministers with heavy colors." It has also caused a great social sensation among the business and collecting communities.

　　The porcelain plate of "Kongming Emerging from the Mountains" measures 112 centimeters in length and 39 centimeters in width. The entire painting, executed in the fine brushwork style of Famille Rose, depicts the scene after Liu, Guan, and Zhang's "Three Visits to the Thatched Cottage," where Kongming, moved by their "sincere emotions, genuine intentions, inspiring virtue, and unyielding will," gladly emerges from his seclusion. Thereafter, he strategizes the division of the Three Kingdoms for Liu Bei, demonstrating his brilliant talents and grand plans for stabilizing the nation. The painting portrays four riders leaving the slopes slowly, with Kongming's clear beard fluttering in the breeze, Liu Bei in his yellow robe and red cloak, Guan Yu with his magnificent beard, and Zhang Fei's side glance. The forms and attire of the characters are all vividly depicted by Mr. Zhang's skilled and flowing brushwork, exuding an air of elegance, fluidity, strength, and vitality, greatly enhancing the individual characteristics and image of the main characters, who are "wearing a scholar's hat and draped in a crane cloak."

　　While focusing on the portrayal of the main characters, the painting also meticulously depicts the temporal and spatial scenery.

　　Mr. Zhang is also adept at landscape painting, having "gazed south at Lushan, sailed on the Red Cliffs; turned to Jinggang, entered Mount Emei in the east, passed the North through Mount Tai, visited the ancient ruins of Shandong, reached the imperial city, crossed the Luo River, and returned." Although this painting is based on historical events and legendary figures, it extends its brushstrokes to depict the landscape. The foreground features gnarled pines that seem to "belong to the dragons, with dark branches in the thunderstorm; how they wear scales and return to their native land to fly." The pines symbolize the rising of the sleeping dragon. In the distance, there are "peach blossoms trampled in the spring breeze, bamboo paths leading to the home." These temporal and spatial renderings not only create a typical environment but also deepen the theme of Kongming's emergence. The selection of scenery and layout is concise and well-proportioned, embodying "solemnity with an ancient charm, and delicacy with a subtle elegance," making it one of Mr. Zhang's classic works.

　　According to Xiao Feng, Vice President of the Chinese Artists Association and President of the China Academy of Art, "Between 1988 and 2004, Mr. Zhang Songmao created the 'Three Visits to the Thatched Cottage' porcelain paintings four times, including vases and porcelain plates, always striving for innovation and demonstrating his extraordinary modeling skills." In 1993, one of these porcelain plates was collected by the Japanese sinologist Fujii Ukyoichiro. Later in Yokohama, he had the honor of meeting Mr. Zhang Songmao, who was participating in the "Jingdezhen Masters Trio Exhibition" in Japan. He then commissioned Mr. Zhang to continue painting "Kongming Emerging from the Mountains," hoping to interpret the essence of the classic Chinese novel "Romance of the Three Kingdoms" in the form of a picture. Thus, this painting, created in the "Year of the Pig (1995) autumn," not only fulfilled the Japanese friend's wish to "incorporate history into art" but also highlighted the profound cultural heritage and artistic accomplishment of a generation of porcelain painting masters.

　　第二件

　　张松茂、徐亚凤《国瓷双绝抱月瓶》

　　尺寸50.5*29

　　在我国瓷艺界，张松茂与徐亚凤两位大师的名字可谓是如雷贯耳。他们携手创作的《国瓷双绝抱月瓶》，采用高品质瓷土，经过多次烧制，呈现出胎质细腻、釉面光洁的特点，融合了张松茂先生的大气磅礴与徐亚凤女士的细腻柔情，展现了中华瓷艺的博大精深。瓶身线条流畅，造型优雅，50.5*29cm的尺寸适中，既适合家居摆放，也便于收藏展示。

　　色彩运用方面，两位大师巧妙地运用了釉下彩、釉上彩等多种技法，使画面色彩丰富、层次分明。在灯光的照射下，瓶身熠熠生辉，令人陶醉。

　　In the field of Chinese porcelain art, the names of the masters Zhang Songmao and Xu Yafeng resound like thunder. Their collaborative creation, the "National Porcelain Double Marvel Moon Flask," is crafted using high-quality porcelain clay and undergoes multiple firings, resulting in a delicate body and a smooth glaze. It combines the grandeur of Mr. Zhang Songmao's style with the delicate tenderness of Ms. Xu Yafeng's, showcasing the profound depth of Chinese porcelain art. The flask features smooth lines and an elegant shape, with a size of 50.5*29cm, making it suitable for both home display and collection showcasing.

　　In terms of color application, the two masters skillfully employ various techniques such as underglaze and overglaze colors, enriching the image with a palette of vibrant hues and distinct layers. Under the illumination of light, the flask radiates brilliance, captivating all who behold it.

　　注：张松茂大师的瓷器作品及其价格体现了其作为艺术大师的卓越成就和作品的高价值。以下是张松茂大师部分瓷器作品及其价格的相关信息：

　　1.《国色天香》粉彩瓷瓶：这是张松茂大师创作的一件粉彩瓷瓶，瓶高约45cm，大直径约20cm。2016年9月，这件作品在北京金谷瀚鹏拍卖有限公司的秋拍中以1700万元成交，成为当时艺术界的轰动事件。这件作品不仅展现了张松茂大师工笔重彩的画风，还以其精湛的绘制技艺和极高的艺术价值被誉为“粉彩瓷王”。

　　2.《国色天香》粉彩瓷板画：创作于2011年12月，这幅作品在2011年万隆秋拍中以1160万元人民币成交，显示了其在当时的高昂价值。

　　3.《风雪访贤》尊是他1300万是他1300万《风雪访贤》瓷画再次的超越升华主题画面银装素裹，万木清润，意境深远；《初访隆中》尊是他天价雪景《初访隆中》再次的突破登峰主题画面采用张松茂独家雪景秘技，营造出山如玉簇，林似银妆的逼真奇效。《孔明出山》尊是在天价粉彩《孔明出山》瓷画技艺又一次的《孔明出山》瓷画技艺又一次的《孔明出山》瓷画技艺又一次的绝冠封神主题画面采用了极为精细的工笔画法和落地重工粉彩相结合的工艺，场面宏大，笔触雄浑。

　　这些作品不仅展示了张松茂大师在陶瓷艺术上的深厚造诣，也反映了他作品的极高市场认可度和收藏价值。张松茂大师的作品以其独特的艺术风格、精湛的工艺和深刻的文化内涵，成为了艺术收藏领域中的珍品。

 浙江秉承拍卖有限公司

2024年10月1日